Tag Archives: daughter died

Duetting: Memoir 59

Duetting: Memoir 59

It was not like tucking her in. After my daughter’s last breaths and the moments the hospital staff reserved for the family’s final goodbyes, it was more like stripping down the Christmas tree. Off with the earrings. Then the navel ring, and the woven friendship band on her ankle. Off with the bracelet her brother brought back from Iraq. And stuffed Puppy, always held in the crook of her arm. Off. They said it all had to come off. I was left holding precious bits and pieces of my beautiful daughter, trying hard not to think about what would happen to her next.

Mom! Get over it! I heard Marika’s voice in my head. So I gave it all to her father. Except for Puppy. Almost threadbare Puppy was still warm from her. For a long quiet time I held Puppy, and stared at Marika’s empty house, getting used to the idea that she wasn’t there. And then I left, so they could take her beautiful house away.

They kept me busy. I don’t know who was with me, my friend Celia, my son? My sister? Didn’t matter, because Marika was not. I allowed myself to be led around. There was a walk to some local coffee shop to buy lots of gift cards that would be left in the Oncology Unit. There was packing up. Her things. My things. There was dinner in a restaurant where all I can remember is wondering how I could eat. And how Marika could not eat. How she, her body, her house, was stuck in the hospital, in the cold basement morgue while we were dining out. Her perfectly shaped eyebrows and red-painted toenails and all the rest of her that I’d never get to see again was now stuffed into some black plastic body-bag with not even a blanket to keep her cozy and warm. She had lain so still and vulnerable in the center of us. Helpless. And now she was alone in the cold dark, awaiting cremation.

I need to forget this last part. That is not how I want to remember her.

It was late. I returned to Hope Lodge without my hope. One last night in Rochester, that would forever be the city where I left Marika. Where I knew I’d have to return some day but knew I would never want to return. And that night, in my dream I swam with dolphins. I was overtaken by a wave that surprised me, rolling up from behind. It was too big, and I was too late to jump over it. So I was pulled down. Underwater, I collided with bricks and boulders and baby dolphins. Finally escaping the debris, bruised and battered, I floated, just dangling in the gray water while around me stars silently fell down. It was peaceful, so tempting to stay put. Was I prepared to die? I could not pretend this wasn’t happening. To me. Who was I now? I couldn’t remember. Did anyone need me anymore? No, the dolphins were gone. So I could go. I could rise above the bricks and leave the darkness behind. Wake up. Up and up. I could brave the wildest waves all the way home.

What have I done, I thought the next morning, upon awakening, when I couldn’t get up from the bed I’d sprung out of so many mornings to get to the hospital so Marika wouldn’t wake up alone. There was nothing to get up for. For the first time in my life I didn’t want to get up. I wanted to die.

 

Duetting: Memoir 54

Duetting: Memoir 54 Robin Botie of Ithaca, New York, photoshops her shadow on a beach in illustrating her grief journey to Australia to scatter her daughter's ashes.

My mission on the southeastern coast of Australia is almost over on the day I decide to try a shortcut on the way back from my morning explorations. It’s a cliff path called the Discovery Walk. I take it. But whatever one is supposed to discover on this path is lost to me as I just want to get back to my room, and the bathroom in particular, as soon as possible. Following the path, I heavily descend the stairway to the beach, and find the incoming tide has swallowed up the bottom steps of the cliff. A shallow pond now blocks my way across the beach to the motel. Too tired to hike back up the cliff and around through town, and too scared to wade through the small but growing swells of waves entering the pond, I stand immobilized. The bag of ashes in my backpack jabs, “Mom! Don’t be a wimp!” And then more gently, “You can do this.”

So I watch to time the waves, take a deep breath, and dash through the shallowest part. Right away a wave rolls in. It’s not a huge wave but my heart’s pounding wildly anyway. And my feet can’t find the damp sand ahead fast enough for my hundred-twenty pounds to catch up to them. I flounder. And fall. And the wave recedes, leaving me scrambling to rise from the shallows. Then, for seconds, before all the surfers and swimmers, sunbathers, and stray dogs on the beach, just at the intersection of my day’s path with theirs, I stand, shuddering. Sobbing. No, maybe I’m giggling. Uncontrollably on this beach. They must think I’m a madwoman. I try to stifle this torrent of emotion but it grows. And I don’t know if I’m laughing or crying but suddenly my bladder goes. Then I’m really wet. Yet somehow I know—I’m okay. It’s all going to be okay.

Because tomorrow’s coming. And who knows what will be blown in with tomorrow. There’s the trip to Melbourne, the Queen Victoria Market, the HuTong dumpling place, and the adventure of locating the nursing school Marika was to attend. And so much more to explore.

On my last night in Port Campbell. I return to the Loc Ard Motor Inn and unwrap a small take-away by the altar. A Lamington, Marika’s food item #5 that she never got to try. Covered with dark chocolate, dusted with coconut, the cube of cake sits perfectly in the palm of my hand. I sink my teeth into it and find it is spongy. Yellow. Sweet and soft with a touch of crunch. Lamingtons are integral to Australian childhood, typically available at school bake sales, I’d learned. Like brownies and chocolate chip cookies back home.

“You’d have baked these for your dad and your friends. You were like that. Only not with me,” I tell Marika’s ashes, recalling the blue-iced birthday cakes and sweet smiles she reserved for others. I never cared about the red velvet cakes. The time she spent hours making chocolate turtles and didn’t leave me a single one, I almost crumpled. And I might have buckled under completely because not a single one of her poems was written to me. Mostly what Marika left me was a bunch of mysteries. Like who is “deejaylungbutter” who she acknowledged in one of her songs? And who was the Australian she was flying to in the poem she wrote long before she ever met the Australian boyfriend? And what is the story about all the endless unruly brown spaghetti rendered from old VHS cassettes that lined the bottoms of her dresser drawers? There is so much more to be discovered. Or to remain unknown. All I know for sure is, I have Marika’s words. Her words have gutted caves and gorges in my mind. She didn’t have to bake or be nice to me. Marika always knew I loved her. And I know she loved me, as brash as she often was. In the hospital, fighting sedation near the end, she’d reached out to hug me. That’s what I need to remember.

 

Wedding-Guest Dress for a Bereaved Mother

Robin Botie of Ithaca, New York, photoshops a picture of her daughter who died onto a floral design and then gets the photo printed onto fabric so whe can sew it up into a dress.Even though dead for seven years, there was no way my daughter would miss her friend’s wedding. So when my invitation arrived, I knew immediately that I would wear something of Marika’s to the event. I searched through closets and drawers for her black sequined shrug. It would be the perfect thing over my cocktail dress. Only, I couldn’t find the shrug. Anywhere. For two days I pulled apart the whole house, but it didn’t turn up. The only other clothes I still had of Marika’s were her soccer sweatshirts, winter scarves, and a tank-top. Totally inappropriate for a wedding.

I came up with the idea of photo-shopping an image of Marika as a young girl onto a flowery background, and then getting the picture printed on cloth so I could sew it up into a new dress. A Marika Dress. For days I sketched pictures, made a paper pattern, shopped for trimmings, and researched companies that would print photos on fabric. I immersed myself into the project with an energy and enthusiasm that had been absent in my life the past seven years.

“That’s totally inappropriate for a wedding,” a friend of mine said, when I told her my plans. Suddenly, I felt myself sinking into a dark abyss of grief and shame. I was wrong, weird. Out of place. I’d always been a little different, “You’re an artist so it’s okay that you’re kind of kooky,” someone told me long ago. Having my daughter die made me even more unlike most people. More self-conscious about who I was and how I fit in. Less likely to attend parties. I never wanted to call attention to myself or offend anyone. What I wear doesn’t really matter; just being a bereaved mother at an event like a wedding feels like standing naked in a crowd. Now, I was being inappropriate. And about to make people uncomfortable.

But working on the project had given me so much joy, I decided to make the dress anyway. I could wear it to The Compassionate FriendsRobin Botie of Ithaca, New York, has a photo printed on fabric and sews it into a dress. monthly meetings for bereaved parents, where they would understand my wanting to “take” my daughter to the wedding. For the ceremony I would put on the cocktail dress with Marika’s tank-top underneath.

Finishing the project, I scoured the house to find a satin sash to top it off. And during the search for the sash, I found Marika’s sequined shrug. It would be perfect over either dress. So now I have to decide. Or maybe I’ll leave that up to the bride and her mother.

 

Do you think the new Marika Dress would be inappropriate to wear to the wedding?

Self Care Day

Robin Botie of Ithaca, New York, photoshops a child sleeping in a slipper-shaped bed to visualize away her back pain.When the pain in my back got so bad that I couldn’t sleep left-side or right, or even belly-up, I went shuffling to my doctor’s where the nurse weighed me, took my blood pressure, asked where it hurt, and finally looked at me, cocking her head, and said, “Have you been depressed lately?” At which point I broke down into a drippy, wailing mess.

Without going into the whole story of my daughter’s dying seven years ago, I wanted to let the nurse know I felt entitled to some depression. But the question left me speechless. I stood there shaking and sobbing, looking anywhere but at her eyes, wondering if I had liver cancer, and wishing I could just curl up to sleep. Hanging on the wall was a children’s book illustration of a sleeping family. They were floating in the sky, each member cozily cocooned in their own fuzzy, quilted slipper-shaped bed.

I returned home with comfort food from Wegmans, Aleve, and a prescription for physical therapy sessions, and spent the next several hours visualizing my pain away in Photoshop. I’m calling it a Self Care Day.

 

What do you do to take care of yourself?

In Another World

Robin Botie of Ithaca, New York, Photoshops her daughter who died, Marika Warden, with a tessellation of puppies in the background.Right away, the old mother was drawn to the girl at the end of the table who sat clutching a stuffed animal, her mascaraed eyes staring straight ahead.

How could the mother not be reminded of her own beautiful daughter? From the million images tessellating in her head, one arose of her daughter sitting up in a hospital bed, clinging to her stuffed puppy as doctors announced, “You’re eighteen. So you’re the adult in charge.” And now, here was this unknown almost-adult girl seated across the table, hugging her stuffed animal and looking dazed. Why was this girl here?

“ …When my mom died,” the girl said, shortly after. Then something inside the mother burst. “My mom won’t be here for my graduation, or when I get married, or when I have kids,” the girl continued, and the old mother remembered for the billionth time that her own daughter would never get to graduate college, get married or have kids.

She had watched her daughter suffer and wondered why she herself hadn’t been the one to get cancer. Maybe in a different dimension of existence, in an alternate reality or some parallel universe, things were different. In another world her daughter might still be alive. But here, in this world, at the other end of the table was a daughter who lost her mother.

Suddenly the girl sat down next to the mother. The girl’s eyes were even more radiant up close, with a familiar hint of opalescent eye shadow and perfectly painted waterproof mascara. There was much the old woman would have liked to say to the girl but she couldn’t find her words, couldn’t begin, and now the girl was so close, smiling and crying at the same time. Tears ran down both their faces.

“I’m gonna get a tattoo with my mom’s name,” the girl said.
“I have a tattoo,” the mother said, peeling off her sweater to show the girl her shoulder tattooed with her daughter’s name. “Can you read it?” the mother asked. “Yes. That’s right. It’s Marika.” The girl beamed.

“And who’s this?” the mother asked, already knowing, pointing to the stuffed animal the girl clung to, thinking of the stuffed puppy she’d given her own daughter at birth and now kept on the mantle in the middle of her house (and kissed goodnight most nights). The girl held out her fuzzy stuffed dog.
“My mother gave it to me,” she said, turning it over to show the stitched-on tag that spelled LOVE ME.

 

What Lasts Forever?

Robin Botie of Ithaca, New York, photographs a daylily on top of a boulder in her rock garden that could be two million years old.“Another boulder,” I hooted, as Excavator #5 dislodged a large mud-covered rock. That made four. Four boulders now sat in my yard. Solid. Substantial. They would outlast me by eons, hanging out on this land forever. Always.

If a stone in Central New York could tell its story, it would reveal that millions of years ago it was detached from its parent rock by weathering and erosion. It was then pushed and dragged by glacial ice, scraping over soil and stone. Sometimes stuck in stream beds, the rock’s rough edges were rounded, worn smooth. Once settled, it sat for ages, being built around or buried, or left alone as forests grew up around it. A rock in New York could be two million years old. This is why each boulder I find, I love.

My biggest boulder had been pulled from the bottom of the pond years ago. By Excavator #4, shortly after my daughter died. The pond was deteriorating. Muskrats. Weeds. Algae. I was trying to save it. Marika and the muskrats were the only ones to swim regularly in the pond. When she died, I had told people, “I feel like frozen mud, like a heavy lifeless rock.” And then the excavator found the Pond Boulder.

The Pond Boulder must have first been unearthed back in 1998 when Excavator #3 dug the pond and then left the heavy nuisance he found at the bottom. My third pond. Built with my second husband, by the third excavator. It was my third home on the same land. Nothing lasts forever.

For many summers the Pond Boulder sat as children swam above, kicking and splashing on pink Styrofoam noodles. Years later the huge rock, fished out by Excavator #4, was rolled to the base of a nearby tree. And last week Excavator #5 bunched all the boulders together into a kind of giant rock garden. My boulders. Like I could ever own them. Or hold on to anything in this world.

“Come see my boulders,” I said to the friend who planted daylilies in my yard in June. “And will you look at the lilies? They’re not doing so well in this drought.”
“They only bloom for a day,” she said, watching me pick off shrivels of spent blossoms. “That’s why they’re called day-lilies.”

 

What lasts? What can you count on to be there when the world as you know and love it is washed away?