Tag Archives: facing fear

Duetting: Memoir 41

Duetting: Memoir 41 Robin Botie of Ithaca, New York, photoshops her grief journey to Sydney, Australia.

Marika’s Australian scrapbook is filled with names and words. Excited scrawls strewn over the pages: “Suki wishing well” and “Wishing Tree.” “Flying foxes.” “Floating stage.” It becomes a game, a scavenger hunt. Her words are clues that set me loose fishing for what she saw. I canvass my way all over Sydney, and question people in the streets to find what Marika found.

Which of the countless statues of dogs was a wishing well that reminded her of Suki? She wrote “Hot Sake,” so I feast in Asian eateries, imagining her delight at being able to drink legally in Australia. She wrote “seagull and Big Mac.” Could she have seen the same seagulls and egret punching around the MacDonald’s bag that only the long-beaked egret could successfully reach into? “Weddings!” she’d written, and I could feel her joy. Words are no longer just words. They are stories. ‘Weddings!’ is a story. ‘Wishing’ is a story. And the word ‘ashes’ is now my tour guide who tells me, “Mom, you hafta go to the Queen Victoria Building,” and “Go to Darling Harbour.”

I pounce on this city like a young child attacking a pile of presents. At Taronga Zoo I follow koalas, quokkas, and rabbit-eared bandicoots. At the Aquarium, I stand in awe, surrounded up and down and on all sides by fish that swim serenely to classical music. Hanging out near the University of Technology, I find exotic Chinese Gardens and flocks of colorful parrots. I follow my nose through aromatic Asian and Italian neighborhoods, and pick out a live barramundi fish to feast on in Chinatown. I scarf down fish fries on the wharf and stuff myself with mashed pea-and-meat pies at the Harry’s Café de Wheels truck. Hot on Marika’s trail, I eat ice cream and crepes for breakfast at Pancakes on the Rocks.

The streets are lit up when I go to see The Marriage of Figarro at the famous Sydney Opera House. A huge chandelier is suspended over a floating stage on Sydney Harbour for the next evening’s performance of La Traviata. Loud funky music blasts out of shops along Elizabeth Street where everything is young and full of life and light, all day and long into the night. For four full days I ride the buses and walk endlessly in and out of markets, shops, museums and parks. I hop on a ferry and toss Marika’s jewels into the water at Darling Harbour and off the Harbour Bridge. Dropping her bracelets into deep water, it feels like I’m planting her here.

On the evening of my last day in Sydney, I am on a ferry I took out of the harbor in order to get free Internet access. I need to be in touch with my support squad. It is time to leave Sydney, the easy part of my trip, the first part of my four-part journey, where I’ve gotten comfortable and now feel safe. I send out a message to my friends: I’m emailing you from the middle of Sydney Harbour! We just passed the Opera House. Looks like we’re headed for the Pacific now … connection could quit any time … hope this ferry returns to the wharf eventually… more to follow.

I’m kicking myself for assuming the boat would return to the same place. Like home, I don’t expect I can really get back, not like the way it was. And what can one assume in a place where you don’t dare drive because people drive on the left and pass on the right? As it turns out, I can’t even walk properly in Australia. For four days I’d bumped into people and done a do-si-do dance with them in the street trying to figure out who was supposed to move over, and where, to let the other pass. Until some BIG guy coming from the opposite direction grumbled in his adorable Australian accent, “Yer in ‘Stralia now, yer not in America, darlin’. Stay lift!” I got it. Just in time to leave the crowded streets of Sydney, the city that whispers to me, “It’s okay, your story’s no sadder than anybody else’s here.”

And in Sydney Airport once more, headed for Melbourne, I’m coddled as if there’s a sign on my front saying ‘delicate.’ I’m told I don’t have to take my box of ashes out for inspection. I don’t have to remove my shoes. And in a state of disbelief, I completely forget to take out my plastic-ziplock bag of liquids. So forgiving is Sydney. She purrs, “We’ve seen it all before.” And at the airline counter, the agent offers, “Since you’re here two hours early for your flight, we can send you on the earlier flight, no extra charge.”

‘Sydneysiders’ they call themselves proudly. What a warm, sweet beginning to my journey. Doing Sydney first was like starting a meal with dessert.

 

 

 

Duetting: Memoir 39

Duetting: Memoir 39 Robin Botie of Ithaca, New York, photoshops a poem written by her daughter who died of leukemia onto her photograph of a sea of clouds.

My story bounces around a lot. Back and forth between times. That’s because I, myself, am always straddling time, living with one foot firmly planted in the past and the other limping in the here-and-now. Time is so squirrely. It’s always getting waylaid by something catastrophic or miraculous, or just plain draining.

What am I doing? I ask myself when almost everything I do is for Marika. In the spring of 2012, I’m going to Australia to carry out her last wishes. The trip is an extravagance I would never have allowed myself. But someone was going to have to go someday, unless we would have brazenly mailed her ashes off to that Australian she loved, who never answered my emails, and let him dispose of her ashes, easy and cheap. No. In April 2012, I am still standing guard over her. Her ashes. This is part of our journey together. And for me, a journey is never simply a distance covered in time or space. It’s an opportunity to change something. It can be open-ended, intuitive, or steeped in purpose, but a journey is dependent on attitude more than intentions. Where will I allow myself to go? Can I stay open to whatever comes my way? And if something goes wrong, if “broken tides collide” like Marika wrote, will I be able to smile—one day, if not immediately—and accept that it was simply what happened? Just part of where that journey would intercept another path?

Australia was Marika’s dream for another shot at life, a life without cancer. And when my journey is over I, too, will start a new life. My life without her.

I have to keep reminding myself I will not find Marika in Australia. Not a trace of her. She was there only two weeks. When she left home, I gave her tickets and a Triple-A Travelcard loaded with three hundred dollars. I told her not to spend money on anything for me. I just wanted to know about different foods she would find. And she gave me, on her return, cookies and a postcard with a cheeky four-year-old in a superhero costume on the front. It was a government-issued advertisement for product safety she’d gotten for free.

“Mom,” she had written on the back of the card, “Always Marika, Top 5 foods from Australia to try: 1. Vegimite!! – Very salty 2. TimTams – Especially dark 3. Rosy Apple Bits – ask me for some 4. Australian style bacon – probably can’t find in US 5. Lamington slice – I couldn’t find. I need to try too!” Right there was an unfinished mission, I noted.

Then there’s her scrapbook with clippings, postcards, and brochures. And photos. Photos Laurie and I googled to match the backgrounds with images of particular places. So I could have an idea of where Marika’s feet had taken her, “which way my feet are going,” like Marika said.

She had flown to Australia alone to meet up with her lifelong friend from Ithaca, Carla, who was at school in Sydney for the year. Marika had other friends there as well. I will have no one. She’d asked for extra money to rent a car and I’d said no. So I will not allow myself to have a car there either. I will not open the box to spread her ashes until after Sydney, after one last flight five days later to Melbourne. I’ll take four full days in Sydney to calm my apprehensions, fuel my courage. I’d planned as much as I could before the trip so I wouldn’t end up immobilized by fear in hotel rooms for the whole two week trip. Yes, I’m terrified. That is why, on my last night home, I emailed twenty-two women, my Australia-Alone Support Squad:    

If you’re getting this email it is because I regard you as someone who has been strong and supportive, and I need your help now. I am on my way to Australia with Marika’s ashes. But I am not alone. I have her stuffed Puppy, my iPad, and you. It is scary but I can do this …

To Marika I wrote, in response to her poem: Marika, I am not “Flying to You.” There will be no one and nothing to greet me. I will arrive alone, tired and hungry, and scared because I will have to fend for myself as soon as the plane lands. I will not be rewarded with your smile or anyone’s open arms. Oh, to be flying to someone I love. And now, over this past year of grieving, I have found all your words, all over the house. There won’t be any more poems left to find when I get home. But while I was packing, I came across a framed drawing of a rabbit you’d made that said “Welcome Home Mom.” I put it on the mantle outside my bedroom, to be the first thing that greets me when I return from Australia.

Let the royal rumpus begin, I always say upon starting an adventure. Buckle up. We’re gonna bounce around a lot.

Duetting: Memoir 38

Duetting: Memoir 38 Robin Botie of Ithaca, New York, photoshops her daughter's poem onto a scene of driving the highway at night.

I’m an expert on fear. Long ago I defined two categories, based on how hard it hit: the immediate mind-gripping terror where one may respond quickly and with focus; and the kind of fear that festers deep inside, an ache that slowly gnaws away at one’s heart and gut. Fear is what fuels most of my functioning. It’s also what immobilizes me. I’ve learned to mostly tame it by looking ahead, asking, “What’s next?”

At the end of July 2012 on Long Island, after moving from my cousin’s place to the Ronald MacDonald House, and spending weeks wandering the halls at the North Shore Medical Center, my daughter and I were permitted to go home. We would need to make weekly trips back to Long Island. Even so, the prospect of having several days a week in Ithaca for whatever summer was left, cheered us. But shortly after arriving home, Marika developed chills and fever. We dashed to our local hospital where she was pumped with antibiotics, and then we were sent back to Long Island. Marika’s leukemic white blood cell count had climbed high off the charts. Afraid of a repeat of the syndrome that put her into respiratory failure and nearly killed her the first summer of cancer, the new Long Island team gave her a dose of a Phase Three experimental drug that was only made available to patients who had no choices left. Mylotarg was called a “magic bullet.” Unlike chemo drugs that kill or damage everything, the Bullet targeted only leukemia cells for destruction, and left the liver, kidneys, and other organs intact.

The Bullet worked for Marika in just one dose. But the trouble with the Bullet was its frequent side effect, horribly high fever. Fever that surged after a day of hibernation. Fever that was impossible to tell if it was from the Bullet or from some hidden, lurking infection. Getting close to summer’s end, Marika desperately wanted to be home where most of her friends were preparing to leave for their colleges. We both yearned to go home. Fever was the only thing holding us back.

When she was free from fever for two days, we left Long Island. It was a Friday afternoon, when everyone else was fleeing for the weekend. We slowly inched our way out as the Brit in the new GPS dragged us through the scenic route of New York City. We were stuck for hours in traffic. In the heat. Sitting in the passenger seat, excited to be going home, Marika was talking to me once again. She was pink. Maybe too pink in the air-conditioned car. Between us a brown paper bag held her meds and a thermometer. Finally out of traffic, we approached the more remote parts of Pennsylvania, and stopped for dinner.

“I’ve got a fever again,” Marika announced, removing the thermometer that chirped the now familiar alarm of four sets of three high beeps. She took a dose of Tylenol, and we downed hamburgers and cold drinks at MacDonalds, ordering extra drinks for the road. She took her temperature again, and drank another icy diet coke as I started up the car.
“Mom, it’s up. It’s a hundred-two point nine now.”
“We’re in the middle of nowhere,” I said. The single server at MacDonalds had been unable to help locate a hospital, so we got back on the road to Scranton. Marika checked her temp every ten minutes and toyed with the GPS as I drove. One hundred-three, she whimpered. I think I began to pray then.

“Mom, a hundred-three point four.”
“Are you okay?” I fixed my eyes on the road and heard my own voice getting higher.
“I’m okay,” she said.
“There’s a blue hospital sign. The blue H,” I pointed out. We drove on and on and there was no other sign. It was dusk and it was getting hard to see. I almost ran a stop sign looking for anything that resembled a hospital. Please help us. Someone. Where’s the darn hospital?
“A hundred-four, Mom.”
“Okay, another blue H, I think this is it, can you read that sign?” A one-way street and hidden entrance to a full parking lot, “This doesn’t look like a hospital. Is it? Yeah. I’m gonna drop you off at the emergency entrance.”
“No! I can wait. I’m okay,” she implored.
“Mareek–I have to park in the garage, way down the road.”
“I’m not getting out,” she hollered. So I parked illegally, as close as I dared, and together we headed into the emergency room.

“This is a cancer patient on two trial drugs with a hundred-four fever,” I screamed to the woman who seemed too calm behind the glass window at the emergency check-in. Marika was looking very gray now that she was on her feet. Someone shoved her into a wheelchair and took off with her, and I ran to keep up as they wheeled down endless halls and around corners of the strange single-story building that was unlike any of the hospitals we’d frequented the past two years. What kind of hospital was this? Now that we were back in a hospital, a part of me believed we were safe, or that her safety was out of my hands. So then the second type of fear, the gnawing, festering fear-ache, took over. It had sat heavily in the back of my mind ever since I’d been given the papers, in triplicate, labeled ‘Healthcare Proxy.’

Marika had first asked Rachel, and Rachel, knowing what it was, had turned her down. I was Marika’s second choice. Though I did not fully understand what the document meant, it meant everything to me to have been chosen over her father. I had never really considered the day I’d actually have to represent Marika or guess her wishes. But now we were in a strange hospital somewhere outside of Scranton, and Marika was burning up. I unfolded and refolded the piece of paper that lived in the bottom of my tiny purse. Was this going to be the night? Would I have to make life and death decisions for her? Tonight?

At two in the morning, when the fever had died somewhat, after tons of tests and our promise to go straight to our local Cayuga Medical Center, we were released.

Driving in the dim hours before dawn, I was wide-awake. Something had changed around us. My heart was no longer pounding but I was acutely aware of my daughter as a time-ticking catastrophe. Out the windshield, the sky was a vast ocean over the black hills scooting by. Stars shone above the deserted highway that wound toward home. The world was frighteningly beautiful. Quiet. Peaceful. And in the car, on that almost-last night in August, riding side by side the final two hours to home, Marika and I shared brief bits of conversation, too drained to keep up our usual guarded disconnection.

“I’m gonna take a road trip next summer, with a girl I met in Australia,” she said. “We’re gonna start out in Boston and visit Laurie and my friends at Clark.”
“Neat,” I said. “You think you’ll wanna try to do camp again?”
“This is before camp starts,” she said, “Yeah.”
“Well, this summer’s done.” My eyes widened, taking in the shadowy landscape as I drove. We were planning, considering, “What’s next?” and didn’t know—we had no clue—this would be Marika’s last summer. I said, “Next year we’re gonna have a real summer. No hospitals or cancer centers.”

Preoccupied with Death and Dying

Robin Botie of ithaca, New York, photoshops a scene depicting her vision of a good death.The biggest ant I ever saw was flat on its back on my kitchen counter. It was waving its little limbs frantically when I went to bed that night too tired to deal with it. In the morning the intrepid ant was still there. When I put on my glasses, I could see it was still pawing at the air, but with somewhat less vigor.

And while I stood over it, wielding my mini-vac—my preferred method of bug removal—I considered how I might instead move the ant to a grassy spot outside. This would not be easy. Small creatures with many more legs than I have always kinda creeped me out. Bug phobia. It goes back over half a century. I’d once made a 24-inch-long paper mache ant for a grade school science project, partly to face my terror.

More recently, partly to face another fear, my terror of death and dying, I attended a workshop where we wrote about how we wanted to die. For a good death, I wrote, I would be lying in lush grass, under the open sky, near a forest with ferns. With friends nearby, I would listen to the sweet sounds of my favorite bugle calls, Tattoo and Taps.
“You’re pretty preoccupied with death these days,” a friend accused. Yes, I agreed. Because, maybe if I made a project of it, I could lose my terror.

But back to that morning, with the ant. It was writhing in slow motion, making me queasy about facing breakfast—and suddenly it stopped moving.

I stared at the lifeless insect. All I wanted was to suck the critter up into the depths of the dust-buster, to get rid of it. But I couldn’t do that after spending months preparing to sit vigil and help the dying. Hoping there was still time for the bug’s last moments, I used a teaspoon to sweep it into an empty yogurt container. And holding it at arm’s length, I ran outside and gently shook the poor creature out onto the grass.

The ant slid out, landing on its feet. It took off creeping. For a moment I watched it climb shakily from blade to blade of dewy grass. I watched as butterflies and dragonflies flew by. Until it hit me—I’d saved a life. Because of my preoccupation with death. Maybe then I felt just the tiniest bit better about bugs and death in general.

 

What creeps you out? What does a good death mean for you?