Tag Archives: scattering my daughter’s ashes

Duetting: Memoir 56

Duetting: Memoir 56 Robin Botie of Ithaca, New York photoshops a scene in Melbourne, Australia where she went on a grief journey to scatter her daughter's ashes.

In Melbourne, right away I regret not leaving more time to experience the city Marika’s friend Carla told me Marika really loved. Immediately after arranging the altar in the new hotel room, I take the free two-hour bus tour around town to get oriented. I snoop out the independent music scene and local street art that attracted Marika to Melbourne, and eat dinner overlooking the Yarra River. Melbourne at night is lit up like Christmas. Everywhere I turn, it’s crawling with people. There is Chinatown. There are sushi places. There is always some hanging-around dog or statues of dogs. This is it, I tell myself: wherever Marika made home there would be dogs, lights, sushi, music, and water.

In the morning, on the way to the famous Victoria Market, I scatter some of the ashes in the pretty Yarra River as people hurry off to work. By midday, I board the train at Flinders Street Station to spread the rest at the Victoria University of Technology Saint Albans Campus, home of the Nursing Program. It’s not a long trip. Leaving the train, I follow the trickle of students from the station to the school. In this corner of Melbourne, there is little else to head to.

It’s a new campus, still under construction. Fences, a few young trees, some makeshift structures … everything calls out ‘in process.’ I look around at the barren place. The single campus fountain sits dry, filled with garbage and fallen leaves. Some friendly students assure me there are flowering shrubs in the spring. A raven caws. Nervously, I hug the bag of ashes and keep walking. I try to imagine Marika going to school here. But something feels wrong.

There is no water. Anywhere. I’ve come all the way out here with the last quarter of Marika’s ashes and I can’t leave her in this place. I walk the tiny campus, twice around, looking for a good spot. Marika would have been here now, in April 2012. The students passing me would have been her classmates. But I cannot see her. I can’t feel her here.

In fact, I’m pretty sure Marika would hate it here. Is this coming from Marika or is it my own hang-up? I’ve only got today to figure this out because early tomorrow morning I’ll be leaving Melbourne, heading back home. And I need to finish her ashes. Today. 

Gingerly, I sprinkle a bit in a spot near the Artistic Café, where students sip soft drinks on outdoor tables with bird chatter overhead. Then suddenly, mid-scoop into the ashes, I find a little tag in my hand. Cheap gold-colored, tinny plastic. It has a number on it, and says Mount Hope Crematorium. I take this as a sign to stop. In tears, I stuff the bag of ashes back into my pack, and rush back to the train station, back to Melbourne proper, and up to University Student Services on Flinders Street where I pester the poor clerks who have no idea why this desperate woman is pleading for help to find the daughter she’s convinced is supposed to attend school here.

“Marika Warden isn’t on the roster for Victoria University,” one clerk says as she fusses on her computer. Immobilized, I finally remember to breathe. I’m muttering madly to myself, Think. What’s missing here? Marika said she was accepted. She showed me the letter on the computer. I paid a deposit with a personal check. Two checks. I wrote two checks to two different universities. What was the other school? “Oh, here she is,” the clerk points to her screen, “University of Technology Sydney. You had the wrong university,” she says, and I burst, howling, into tears.

Why hadn’t I paid attention to this important detail in Marika’s life? I remember being happy for her, and proud she was putting together a future for herself all on her own. Maybe I didn’t believe it was possible. Maybe I didn’t want it to be. And maybe, after all we’d been through while she was alive and all I learned after she died, maybe I could never really know who this amazing creature was.

There was so much I simply didn’t know about my own daughter. Back in March 2011, shortly after the calling hours and the departure of family members who’d flown in for the funeral from Boston, Chicago, and parts of Florida, I’d crept back up to Marika’s room and spent hours tearing through her shelves. In the days that followed, I scoured her bedroom at Limbo, where Rachel had already foraged and slept, hugging the things Marika had held. But nothing contained Marika. Not for me. Until I found her words. Then I just wanted to find more of her words. Devour her words. Read them aloud. Sing them. Hang on to every last one.

Until soon, I was not only an intruder; I was possessed. I became an addict, needing, craving, begging her brother to break into her laptop, demanding of Rachel, “Where are the rest of Marika’s words?” Over the next bleak weeks, I’d copied the poems and prose. When I typed her words, I felt Marika’s heart beating. When I gathered the best of the songs and poems, and Xeroxed them into a spiral-bound book, I could hold her. Her thoughts. Her hopes.

She wrote about her life; she wrote about her death. She wrote about what it was like to have cancer and how it affected her relationships. How it felt to be sedated and then wake up to everything changed. About feeling like two different people. About needing freedom. About love.

Some of her writing from before she knew she had leukemia frightened me. She’d been in some difficult relationships. She’d contemplated suicide. Torn between honoring Marika’s privacy and wanting to hang on to all her words, yet not able to stomach some of the dark ugly truths, I threw out one of the early notebooks, burying it deep in the trash. Then, in another journal, I found the page from the very night she was diagnosed. She’d picked up her pen immediately. One day she was writing about the frazzled love life that gave her pain so great she wasn’t sure she could go on living. And that night, in one turn of a page, she wrote about her leukemia. All the things I wish we had talked about, all the conversations we should have had—she wrote.

And there I was, three weeks after she died, sitting in the middle of her cluttered bedroom floor with a hot pink spiral-bound journal in my lap, first realizing that she’d been thinking, processing, and writing everything all along. Marika had been grieving for her life. For almost three years, on paper, and I’d had no idea. That’s when I first knew:

It was me. I had never been fully present to her, to the one who dazzled me most in the world. Doggedly pretending she could live forever, even as she lay dying, I was the one not facing reality. And I never left her an inch to talk about the possibility that she might die.

 

Duetting: Memoir 53

Duetting: Memoir 53 Robin Botie of Ithaca, New York, photoshops grottos along The Great Ocean Road in Australia on her grief journey to bury her daughte's ashes.

Eleanor from the Loch Ard Motor Inn gives me a ride to my first site of the day. She and Margaret take turns running the small motel. Not wanting to spread sadness, I haven’t told them my story. But I must seem lonely to them. They do everything they can to make me feel welcome. Driving me around Two Mile Bay, Eleanor points out landmarks for my return trip on foot. And suddenly, right in front of us, by the open back of his car, stands a completely naked man. A surfer. Very handsome. He chuckles calmly and waves at us. Eleanor and I giggle like giddy schoolgirls. Our faces turn shades of red. And I wonder how he can so gracefully accept this embarrassing collision of his path with ours. If it had been me caught in the nuddy, I’d be replaying the scene for months in my head, mortified.

Soon after, Eleanor drops me off by a trail through low scrubland. The atmosphere is murky and misting. I nervously note there are no tourists around. Determined to see more sculpted limestone features of this Southern Ocean Coast, I venture forward alone through thick fog, down stairs and long sand paths to find The Arch, the partially collapsed London Bridge, and the stunning sinkhole called The Grotto. I feel compelled to visit, like they are my ancient aunts who have known every joy and sadness in the world. These are not just hollowed-out rocks. These are places that make me want to sing, that make me cry. It’s a feeling of coming home. Some people have the Bible or Quran or some doctrine to follow. Some look to their ancestors for direction. I look to the sky, to the ground, to mountains and great masses of stone, to the paths people have trodden for ages. Where I feel very small and insignificant but very much a part of belonging. Where for a while I can stop searching because I am filled up with something. Something that resembles grace and gratitude. And awe. I feel blessed.

West of Port Campbell and Two Mile Bay, in the Grotto, I watch water seep into the cavities of the rocks at the ocean’s edge, and look past the cave walls and still pools to the sea beyond. Marika had not come this far on her trip. So many wonderful things she did not get to see or do. All the beautiful things she knew were out there somewhere. I’m going to find them. For her, I promise.

The sun comes out again. I imagine Marika riding piggyback on my shoulders once more as I climb back up the huge staircases to the Great Ocean Road. After a while on the long walk back to Port Campbell, I pass a yellow diamond-shaped sign with a kangaroo graphic. It is a warning to drivers to watch out for animals in the road. Just beyond, a huge heap of kanga-road-kill lies in my path. I stare dumbly at the carcass for a moment. And inch closer. It has long black nails on black hands that reach for the sky. It looks like it’s praying. In my mind, I make it rise up and shake itself out: My kangaroo-ghost stands much taller than I. I suddenly feel lighter as Marika steps down off my back and climbs onto the kangaroo, piggyback style. “Mom, really?” she asks, her eyes brightening like I’ve given her a new MINI Cooper convertible. “Yeah,” I reply, “Just keep her away from the roads.” In my mind I watch them ride off together, inland, to endless rolling hills of grasslands with windmills, farms, and scattered patches of dark trees. Far away from this Great Ocean Road where I have one day left to wonder what I’ll do once Marika’s ashes are gone.

There are too many questions. Like, how do I make Marika’s life count for something? And what should I do with my own life? How do I gather my own ragged remains, drag them back home, and breathe new life into my once intact world?

Back in the office at the Motor Inn, Margaret laughs her hearty laugh. She’s just agreed to keep a stray dog at her house where she already has six dogs, two cats, a wallaby, and too many birds to count. A motel guest who is in the middle of his family vacation really wants the stray dog. It had followed him on and off the beach all day, and he promises he’ll come back for it. If Marika were here we’d be smack in the middle of this drama around the dog. She’d beg to keep it herself, and I’d dance up and down in a fit, trying to make her see sense. It’s someone else’s scene now. I smile, listening to the eruptions of Margaret’s chortling. How does one laugh in the thick of such craziness? But laughing is so much more gracious a response to a stressful situation than seething in rage or howling. I vow to put more laughter into my own life. Because this whole thing of living, of loving, is really very laughable. Who learns to go through it right? Just when you think life is good, you get booted from behind and someone you love dies, and everything changes. Then you scream and wail with the pain. Not fair, I can’t go on, Why me? To laugh is to recognize that all of it is incredible, even so.