On a small computer screen, in a blurred DVD converted from an old VHS recording, bleared further through my tears, I watched my father laughing. I’d last seen his face in 2009. He wasn’t laughing then. At the end of his life, he was angry, ready to go. Done.
Now in the recovered footage, My father sat in a row alongside his siblings and in-laws. The seven of them smiled nervously, lined up in front of a video camera in 1993. My father, always fascinated by cameras, seemed amused to be on the other side of this newfangled movie-making instrument. Within minutes, he warmed to the camera and to the questions his niece and daughters were posing to the group. He laughed, talking on past his turn. It was hard to shut him up. I’d forgotten what he was like when he was happy. The video zoomed in and out, focusing on the group, closing in on him.
Videotaping aging relatives. We’d all noticed the changing population at the family reunions. “To preserve the family history,” my cousin Brigite, the one who came up with the idea and produced the project, had said.
But for me, years later approaching Father’s Day, fixated on the fuzzy computer image, it was the preservation of my father’s bright face and the sound of his laughter. And of all the pixelated memories of being my father’s daughter. For days after, I talked to him, and walked in the warmth of his smile.
What memories are brought up for you by viewing photos or video footage of your loved ones who died?
Please Share on your Social Media
They’re just beat up old chairs, I told myself, wiping away tears as I stuffed the deck chairs into my car. The white Windsor-back chairs had once been part of my prized dining room set. Then, years ago, they were relegated to the deck where we grilled steaks on hot summer evenings, and draped the chairs with towels while we swam in the pond below. Sometimes the kids dragged the chairs off the deck for campfires, and assembled 

Holding a huge photograph with both hands raised high, I wove my way through the photography lab around students, worktables and computer stations, with my eyes transfixed on the image before my face, like I was waltzing with a tall lover. Fourteen times I lifted a new larger-than-life-sized photo from the printer, and danced across the crowded room, admiring my work as I carried each piece to the wall, to be hung.
“OMG, You hafta see this. Look what I did,” I stop friends and strangers. “Look. I’m so proud,” I say, carefully unwrapping the small bundle that’s always in my arms these days, and shoving it at them. This must be terrifying to people. This is not really like me. It’s a little embarrassing, actually. And it feels a lot like I’m in love.