June is my favorite month, mainly because the daylight lasts so long. Also, everything outside seems to be bursting with vibrant color: the greens of the ferns, the peony pinks, the spectacular spirea bushes.
This particular Goldflame Spirea shrub had grown over the garden bed onto the flagstone walk. It was so flamboyant that I photographed it. Later, I flipped the photo in Photoshop, and added an image of my sump pump cover to serve as the sun in a fabricated landscape.
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My overgrown pondweed situation was almost under control the morning I noticed pollen forming over most of the pond’s surface. It was like a giant floating oil slick. To make things worse, feathery tufts falling from nearby trees were being carried by the wind and landing on the ugly oily film. Unlike the algae and pondweed I’d been pulling out the past weeks, this would be almost impossible to get rid of. But I don’t mind hard work. Sometimes, immersing myself into hard physical labor, I can forget to be miserable and depressed. And it feels pretty good afterward to have been productive, to see the fruits of my labor.
The few clear spots on the pond, where the surface tension had broken, reminded me of meandering rivers. I photographed the mess. Then, dropping one of the images into Photoshop, I added a “sun” crafted from a shot of the sump pump cover on my lawn.
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Most days now you can find me in my tiny boat on the pond, pulling out pondweed and piling it on the banks. It’s an endless chore but a calming one. And I’m grateful for it, knowing that one day I will not have the pond or the boat or the energy to do this.
If you turn this photo upside down you will see my pond so thick with weeds that the reflections of the nearby trees are nearly obliterated.
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In this fabricated landscape, a smooth rock from my garden hovers over a shagbark hickory tree that I flipped to its side in Photoshop, to create a shaggy windswept field. For me, combining scratchy and slick textures is even more engaging than working with colors. But I wonder, if I add blues, can I change this field into an ocean? This will be a small adventure for me on some rainy afternoon when, immersed in Photoshop, I will be distracted from feeling the hollowness in my heart.
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For months my bags have been packed, ready for me to go flying off to some beautiful bright place. It seems like ages since I last flew. But I remember flying above Ithaca, watching the ground below as it stretched out endlessly and disappeared into the hazy horizon. That’s what I was thinking about when I fabricated this landscape. After inverting my favorite photo of an allium seed head into a negative image, I set it over a shot of my driveway that, on an early morning in April, was riddled with the remains of the last snowfall of the season.
The hills around home are greening up now. It’s getting harder to imagine ever wanting to leave here. Maybe next winter. Maybe I’ll fly away before the first snow of the season, before I grab up the camera and head for the driveway to photograph the new day’s pattern of white patches, believing it’s beautiful.
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Making borders. Framing. For a long time I wondered why it was so satisfying to enclose each of my fabricated landscapes in a decorative border. My work just doesn’t feel done until I’ve framed it. Sometimes I photograph existing picture frames and then transpose their images into negatives in Photoshop, changing the colors and enhancing the shadows and highlights. Often I’ll start a frame from scratch, finding an interesting tooled edge or naturally defined edge on something and then I’ll stretch it out and piece it together, mitering the ends into four sides. Occasionally I’ll superimpose a floral or grassy graphic on the pieces. Surrounding my pictures is like securely wrapping them up into cozy nests. It’s like marking each newly composed place separate from the rest of the world.
The land and sky here is from the frothy edge of a wave washing up on a sandy shore, turned upside down and inverted to its negative in Photoshop. The moon is drawn from the image of an old tarnished Celtic knot pendant that I lightened and highlighted.
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