Author Archives: Robin Botie

Duetting: Memoir 2

Duetting: Memoir 2 Robin Botie of Ithaca, New York, photoshops an illustration for her dead daughter's final wishes.I’m an intruder. Stalking through my daughter’s sacred and secret things. No mother should ever have to do this. It’s all upside down, inside-out. Backwards. Yet I feel my dead daughter is watching and directing my every move.

Marika hadn’t even died yet when her father began to whisper about what we should do with her remains. Scrunched together with his wife and our son Greg in a curtained-off alcove fifteen feet from Marika’s ICU bed, he said he wanted her to be buried in a cemetery near his house.

“So I can visit her.” His eyes winced wildly. I tried to contain the scowl twisting my face.

“Marika would want to be cremated and have her ashes scattered in Australia,” I said, the words flying out of my mouth even though Marika and I had never discussed this. I caught up my drooping jaw and gulped. And realized it was the first time in years I was sure of anything about her.

I was right. Days later when Marika died, Rachel, her closest friend, found her final wishes. In a shoebox under the bed, in the apartment she rented with friends, where she’d moved half her stuff, and stayed when she wasn’t sick puking or in pain.
“You should write some final wishes. Just in case,” I’d told my daughter, four months earlier, back when writing wishes was more like making a shopping list. She’d actually done something I’d asked. Now I ache to think of her sitting alone in that place, imagining herself no longer alive when these words would be found.

“In the Event of my Death,” Marika had written by hand in November 2010. The document is simple and short, like her life. “Final Wishes” is penciled in diagonally at the top, the two words flying heavenward off the page. “If I am ever in a permanent vegetative state, do not keep me alive on life support.” Then she bequeaths her personal things. First, I would get Suki, her dog. Her closest girlfriends would get “whatever clothing they desire.” She shopped for her clothes at the Salvation Army and other secondhand stores. Who would want her clothes? But I want her fake leather cowboy boots and the sweaters she never returned that I lent her, and she lent to Taylor or whomever. Her jewelry is to be divided among the girlfriends. Figuring money was what her brother would value the most of all her earthly possessions, she requested her college fund go to Greg, “If possible, … along with the bracelet he gave me from Iraq. I wore it almost every day.” To Russ, her music partner, she leaves her guitar and lyrics. Other friends, the guys, get the pipes and party paraphernalia she’d given pet names to, Cricket and Halo. And on the bottom of the second page, she had signed her name with a final request. “Marika Warden. I would like my remains to be cremated and scattered in Australia, as that is where I would be if I were alive (If possible).”

Wishes. Last wishes. Wishes on stars. Birthday wishes. I was with her on every one of her birthdays. Twenty birthday cakes. With candles. Always one extra for good luck. Her last wish—leaving her ashes in Australia, where she had intended to begin a new life, free of cancer, and me—she must have known I’d make it possible. Anything would be possible. For her.

Her father hadn’t been mentioned in the wishes. Through the black hole of the past week, he had needed to grab onto every last little thing that had been Marika’s. He can have it all, I tell myself, the next four days as I poke through her soccer trophies, beanie babies, CDs…. Then, on the fifth day, my house fills up with people. Time to go to Bangs Funeral Home.

Marika orders me to bring her stuffed Puppy, some photos, and the first journal I discovered with the one poem. Looking for a bag to carry these to Bangs, I scrounge through a closet until a perfect-sized black canvas tote surfaces. It seems to be empty as I begin to load my few items. Then I notice a small plastic bag in the bottom. I take it out and unwrap the paper towels inside. Suddenly I’m holding Marika’s ponytail. Almost dropping it, I gasp at the silky-soft honey-brown bundle still bound at one end with a rubber band. Three years ago, when it became apparent she was losing her hair with the start-up of chemo, Marika’s friends had chopped it off and shaved her head. Not quite the requisite ten inches needed to donate to Locks of Love, a nonprofit organization that makes wigs for children suffering hair loss from illness, the ponytail had been stashed away.

I hold her hair to my nose and sniff, then slip it back into the bag, and hurry off to the funeral home where I give it to her father.
“So you can visit her anytime you want,” I tell him.

 

 

Duetting: Memoir 1

Duetting: Memoir 1 Robin Botie of Ithaca, New York, uses photoshop to print and illustrate a poem written by her daughter who died.My dead daughter drags me up the stairs and into her bedroom. I thought I’d left her for good, in the hospital, in Rochester. But she walked in with me when I got home. Now, she is all over the house, excited, calling me to look, see this, find that. And she pulls me up the stairs. I don’t want to see that room. But I can’t sit still. Can’t think. Can’t eat. I want to be where she is. I want to be dead. It’s almost bedtime now and for hours I’ve resisted her luring me up here. But she wins.

Look, she says.
For what, I wonder? I scan my daughter’s room, trying not to believe she’s ninety miles north, in a bag, in the hospital’s basement refrigerator. No. Remember her here. In this room. She slept with her eye makeup on, smudged, her red painted toes peeking out from under four quilts. I’d wake her with breakfast trays—smoothies and grilled cheese sandwiches—to coax her into the morning. Now, sinking nose-down into the princess’s bed, I sniff, searching for her dwindling scent left buried in the linens. I roll over to see the room like she did. It feels like her hundred thirty-five pounds are sitting on my chest. Is she okay, I wonder? No. Nothing’s okay. I can’t keep her warm and comfortable anymore. Who am I without her? Am I still her mother? Now what? What am I supposed to do now, Marika?

Floor to ceiling, every inch and corner is filled with stuffed animals, photos, books, and memorabilia. Clothes. Papers. Nothing has been thrown out in three years. Since cancer. The room is crammed, and I am completely empty.

Look, she kicks me.
In the middle of the bookcase, a small spiral-bound notebook stands out an inch from the other books. It appears to be an unused journal. Until I pick it up and flip the pages backwards. There, on the first page, written in her most polished handwriting, is the poem above.

A wave crashes over my head. Inside me a seawall breaks. I take the poem and her stuffed Puppy to bed. The night fills with images of my almost twenty-one-year-old Marika flying over hills and mountains. And in the morning, I find myself back upstairs, haunted. Hungry for more. Another journal beckons, and then another. Rummaging through her things I find sketchbooks. Notebooks with poems and plays. Letters. When did she write all this? Songs. Diary entries. Bittersweet glimpses into her short life. And it’s like an invitation. I’ve found my daughter again. Marika’s not gone. She is upstairs in her room in a dozen different journals, in a million words, waiting for me to finally—really—get to know her.

 

Getting a Life

Getting a Life   Robin Botie of Ithaca, New York, photoshops a cover for her manuscript that helped her heal from child loss, and will now be shared on her blog.“Mom, get a life,” my daughter Marika often told me, mostly when she was angry with me. It was the last coherent thing she said to me, “Get a life.” And after she died I did everything I could think of to make a new life for myself, one she’d approve of.

Mainly, I tried to do all the things Marika loved to do. Things I’d never considered before. Like writing, blogging, and photographing. It was comforting to coop myself up at home for endless days crafting weekly blogs and a 200-page memoir about our journey together through the wilds of cancer. It was like duetting with my daughter. Or with her ghost. Writing and rereading the manuscript brought her back to me, made her come alive again and again. It helped me heal. I never needed to get the work published. It did enough just giving me a foothold to re-enter the world.

There’s a problem with getting a life, or getting a new life. Living isn’t just about doing things or maintaining one single mission. And people change. I’ve changed. Nine years after Marika’s death, I’m finding I need more time to watch birds, or to simply sit and do next to nothing. I want to spend more time in the company of friends, to listen to others’ stories. To listen to music, to maybe even dance. These days there’s never enough time to record meaningful material for my readers. It takes me forever to compose. Yet writing, blogging, is a connection to Marika and to my newfound community that I do not want to give up.

When Marika died, long before I could begin to write, it helped to read what others had written about their losses. So I’m hoping you won’t mind if I share bits and pieces of my own manuscript here, in my weekly blogs, over the next weeks. Or months. Just to keep in touch while I venture out to discover where life will lead me next.

 

 

 

How do You Define Yourself?

How do You Define Yourself? - Robin Botie of Ithaca, New York, defines herself as a bereaved mother, forever.A Bereaved Mother. Is that how you’re going to define yourself forever? A friend asked me this. And for a long while the question bothered me. Mostly because it seemed to suggest I’d lost my self as well as my daughter. But A Bereaved Mother is not all of who I am. When my daughter died I lost my old life, and in many ways I changed. Yet I am still me. And if you ask me who or what that is, you will get only an abbreviated account of where I stand at that one moment in time.

And yes, being a mother is forever. I am a proud mother of an amazing live grown son and of a beloved daughter who died. This will always be towards the beginning of the complex outline of how I define myself.

Duetting: Memoir 50

Robin Botie of Ithaca, New York, photoshops an image from a dream about dying.

“It would take a miracle,” the ICU nurses said about the possibility of my daughter’s recovery. But we’d seen Marika pull off miracles before. They said, “Each day on the respirator lessens the chance of her ever getting off.” She’d been under for almost two weeks. Her lungs had not responded to the special drugs they’d ordered. So the Roc Docs used something called PEEP to force oxygen through. Then a hole developed in her right lung.

Her father and I had agreed we would allow no painful interventions, but when Marika’s right lung started to collapse, we let them shove a chest tube between her ribs. A day later, when the short-lived victory from that procedure dissipated and the left lung started to go, we allowed them to plant another tube through her left side. Nothing helped. Her lungs were shot. We continued to hope and pray past the time the doctors would have quit, pulled the plug, and sent us home.

“When you start to hear the same grim prognosis from the four different teams of doctors, it will be time to consider withdrawing life support,” our social worker said.

Withdraw life support. Is that how it was to end? Like this was an everyday procedure— you either produced a miracle, like she’d been doing for the past three years, and get wheeled out of the ICU to the unit down the hall—or you died amidst Code Blue chaos with staff shoving the family out the door before scrambling around to resuscitate and electrocute—or you got unplugged. I hugged myself, and begged my beautiful girl, “Do something, Mareek. Do something NOW.”

We’d never talked about the healthcare proxy. Armed with little more than that signed piece of paper, I did not know how to begin to guess what Marika would want. Would she want to live if she couldn’t sing or walk? If she were tethered to oxygen tanks for the rest of her life, stuck with feeding tubes forever, would she want to go on? What if she was trapped inside her head, could think but not communicate, could feel pain but not move? When it comes to considering death, people grab at every grain of hope, giving up more and more of what they once felt was important for a good life. I was grasping for anything. I’d take meager crumbs. The dregs. But what would she want? Would Marika sit, strapped to a wheelchair with an oxygen tank, living on memories, and feel life was worth living? And not fight, forever, for more?

“She wants everything possible to be done to keep her alive, unless it becomes hopeless,” Rachel said when I called to tell her I didn’t think Marika would make it. “She also told me she doesn’t want to cause more suffering for her family and friends.” Marika said that?

“We should put her on a DNR status, Do Not Resuscitate. So if her heart stops, she won’t receive chest compressions or electric shock to re-start it,” Laurie said. “That would only cause more pain from broken ribs and wouldn’t preserve the quality of her life. But don’t give up on her yet. Her blood pressure is good, her kidneys and liver are working well. Her blood cells and platelets are coming up, so the transplant is working.”
“So we just need a miracle to remedy the small matter of her blasted lungs,” I said.
“She’s been at death’s door before,” Laurie reminded me, “and has pulled out a miracle and survived.”

The Roc Docs said she was sinking. It was just a matter of time. It was not presented to us as a choice: to pull the plug or not pull the plug.
“No, not yet,” I begged on Friday when she’d been pumped by PEEP for multiple days. “Give her the weekend,” I pleaded, clinging to Marika’s feet and urging everyone to whisper, in case she could hear.

On Tuesday, the first day of March 2011, the seventeenth day on sedation, the four teams, one by one, filed in and out saying, “Sorry.” I clutched Marika’s feet and rubbed madly. I watched the life I had guarded for almost twenty-one years drift farther beyond my reach. They’d given us all the extra time they could to wish for a miracle, and over the weekend hope had ebbed away like a receding tide. A strong current was pulling me out into uncharted waters, to a place no one I knew had been before. Whose child dies before their parent? I wondered. How could this be happening?

“It’s time,” I remembered my father announcing at his end.
“It’s time,” the social worker said.
Drained and defeated, Marika’s father and I finally both agreed. I said yes, and signed the paper that said my daughter’s life was to be taken.

My bedside notebook for recording dreams caught only nightmares then: I was fished out of rushing water, dripping wet, and hauled up to the whitewashed docks above by a rope. Caught. I knew I didn’t belong there, that being there meant I’d be executed on the spot. I huddled, cold, wet and miserable, trying to make myself small on the hard dock while my captors considered me. A sympathetic one pointed to a place just above my tailbone, urging the other to shoot there, where it would be kinder. Closing my eyes, I waited for the shot to shatter my bones and end my life…. Later that day, I realized that the tailbone area was where Marika got her spinal fluids drawn and chemo injected. Maybe this was really a dream about Marika. Even in my dreams I had a hard time separating her ordeal from my own.

The second day of March was barren and gray now that we had accepted there would be no more miracles. I moved like mud. Heavy, frozen, lifeless mud. Marika’s life would end the next day and I had a dilemma: to tell her or not.

Even heavily sedated, she might be conscious on some level, or in and out of consciousness. But if Marika couldn’t say anything, couldn’t say goodbye or “I love you,” if she wasn’t able to express anything or even move a muscle, what would she do with this information? For the first time ever, her father and I agreed immediately on something. We did not want her just lying there, drowning in fear and anger, unable to communicate. So we whispered and tiptoed around her, holding her hands and head. I did not tell her she was going to die.

What is the bigger tragedy: losing your loved one suddenly without a chance to say goodbye? Or knowing your loved one is close to death and not talking about it? I did not know how to talk about it. So I just stood there, silently, stroking her face with my eyes.

Much later, I would find these lines crossed out, in a song in one of Marika’s journals:
“My mama strokes my hair and tells me I’ll be fine now,
‘We gonna take care of you.’ But her eyes tell me she’s hiding a lie.”

We’d had a conversation or two when she was very young, about how not saying something is like lying. So I was lying. I was not being honest anyway.

There was more. Worse. What, later, I’d give anything to be able to rewind and replay: I did not tell her, “I love you.” As she drifted farther away from me, I did not dare say it. I hadn’t said it enough. Does it mean more when you say it less? Does it mean less when you say it more? And what did it mean to my precious girl that I didn’t say it at that time?

Because if I told her then, “I love you,” she would know it was the end.

 

 

 

Wildfires

Wildfires Robin Botie of Ithaca, New York, photographs a New Year's campfire while the wildfires blaze in Australia.In Ithaca New York’s cold wet winter, we lit candles and campfires, bonfires even, to herald in the New Year. At the time, I didn’t know that on the opposite side of our planet, in Australia, not too far from where I left my daughter’s ashes, there was ongoing, worsening fiery devastation. The media is now filled with images of wildfires forcing people and their pets to flee to nearby shores, houses exploding, homes and whole towns in smoldering ruins, volunteers comforting injured koalas and kangaroos… they say half a billion animals have been lost. And I don’t know how many hearts have been broken in all this. But I will never again be able to bask in the warm glow of a fire without remembering the videos of roaring flames and smoky orange skies, and people trapped on beaches, watching as winds sweep the blazes ever closer.