Tag Archives: mother daughter relations

Duetting: Memoir 68 Epilogue

Duetting: Memoir 68 Epilogue Robin Botie of Ithaca, New York, photoshops herself and her daughter who died wearing masks like they did back in the days of cancer and caregiving, and took precautions similar to those taken for the COVID pandemic.

On the tenth anniversary of Marika’s death, in the spring of 2021, I am once more about to re-enter a changed world. Gently, my dead daughter drags me from the table where I’ve been blogging and Photo-shopping for almost a decade. It awes me to consider Marika’s been dead for ten years. Dead but not completely gone, some remnant of her now coaxes me from the house and down the long rocky driveway to where it meets the highway.

At the beginning of 2020, I had wanted to be out with people more, to spend less time and energy writing. So, instead of having to come up with new material each week for my blog, I started sharing the manuscript I’d already written about our journey through the wilds of cancer. Over the course of the year I broke up the 200-page/21-chapter memoir into weekly blogs and Photo-shopped illustrations for each, “Just to keep in touch [with my readers] while I venture out to discover where life will lead me next,” I wrote in the first entry. Then, shortly after I began, the world broke out into the COVID-19 Pandemic. Life, as I knew it, ended once again. And I was stuck social-distancing at home, alone with Marika’s ghost, her dog Suki, my computer, and my manuscript. Reflecting on this difficult past year, I believe that what kept me going was the rewriting, illustrating, and sharing of our stories, with Suki and the sweet ghost of my daughter by my side.

This COVID thing. It takes me back to the days of cancer and caregiving, when Marika and I wore masks and avoided crowds, always fretting about germs. That was when I first learned to sing the birthday song twice-over while scrubbing my hands. I would scrutinize everyone we came into contact with for any signs of infection or possible contamination. Living with cancer was so lonely back then. If only we’d had Zoom. Marika would have been endlessly zooming parties from her hospital bed. Maybe I could have zoomed my son and Laurie instead of burying my head in novels so much of that time.

Because of the novel coronavirus, I haven’t seen Greg in well over a year. He texts and phones me regularly from California where he works in executive security. I am so proud of him, employed and keeping up his own apartment during these chaotic times when so many sons and daughters are struggling. “There’s always a place for you here,” I tell him, in case things change.

Laurie phones me. And sends gifts through the mail. She still practices medicine but works online at her home these days. I miss her and look forward to the day my sisters and I can all get together again in person.

And Rachel. I mean Ray. On the eve of the tenth anniversary, Ray texts me from his cozy home in Florida, “Sushi tonight,” and I text him back, “Sushi tonight and tomorrow. Wish it could be with you.” Ray is a very handsome man now. He’s worked hard to find himself and make a good alcohol-free life. Yet he readily talks about his beginnings. And when I mention the dream I recently had where he was still Rachel, he told me he sometimes dreams of himself in his old life as Rachel, as well.

My friend Liz is my COVID buddy. Throughout the pandemic we have shared meals in each other’s houses and formed a tiny safe pod to get through this time. On the morning of the tenth anniversary, we mask up and meet at Ithaca’s new Trader Joe’s where she tells me first thing, “You have to buy flowers for Marika.” Then I shop like in the old times, bringing home more than I can possibly stuff into the freezer.

Suki, my inherited dog, is eleven years old now. My constant companion during the pandemic, she’s still hiking with me several times a week in the remote hills around Ithaca. It’s eerie how Suki often stares intently out across the living room, tentatively wagging her tail as if she maybe sees the shadow of someone she once knew and loved. If Marika were to actually appear, that dog would go ballistic jumping and a-leaping, dog-kissing her and squealing in joy.

As for me, I try to be One Tough Cookie, an expression of my mom’s I adopted after she died two years ago. I don’t want people to look at me and see only the pathetic Mother Whose Daughter Died. Okay, I do now-and-then nosedive into my grief, needing to wallow in the pain. And sometimes a song or smell will trigger me into a meltdown. But most days I’m filled with gratitude. Even during these COVID times, the life I lead is one I love, is one Marika would be proud of, is one she would have loved to live herself. I am the Mother Who Swallowed Her Daughter. There’s something of her in me now that soars at each opportunity for adventure, that sings in the car on the way to and from home. I now view the world through two sets of eyes, Marika’s and mine. And I carry her with me in joy as much as in sadness. 

I’m still on the fence about religion and heaven. And angels. And where one ends up after dying. My best friend from childhood, who discovered God and became an ordained minister over the decades I lost touch with her, told me God is everything, is in everything. That works for me. To me that means God is in Marika. And that makes me less embarrassed about admitting that these days I pray mostly to Marika. That’s not meant to sound irreverent. But maybe if we all connected the people around us to God in that way, we’d end up treating each other a lot better.

It took me four years to even consider joining a grief support group. One day I became a volunteer making bereavement phone calls for Ithaca’s Hospicare and Palliative Care Services, and shortly after, I began attending a child loss support group through Hospicare. That group eventually became the Ithaca Chapter of The Compassionate Friends. TCF is a peer support community for families that have experienced the death of a child, at any age, from any cause. Through TCF, we see the many different ways to live—with and without—our children who died. A dedicated member, when I realized there were other bereaved parents having problems socializing, I organized an offshoot of our local group to gather over monthly potluck dinners at members’ homes. All these get-togethers have had to operate via Zoom during COVID. And that is how I ended Marika’s tenth anniversary day, zooming with good friends who “get me.”

In November 2017 I returned to Australia. Traveling solo again for that trip, I met up in Adelaide, Melbourne, and Sydney with other bereaved mothers I’d found and friended on Facebook. Bonds formed easily with these strangers on the other side of the planet as we shared our stories and photos. And in Sydney, after giving me a tour of the city and the university Marika was to attend, TCF New South Wales president Jenny Wandl brought me to a monthly TCF meeting before taking me to her home to cremate Marika’s stuffed Puppy in her outdoor grill. It turns out Puppy was made of polyester, not cotton. So her remains were hard black chunks rather than ashes. Which reminded me that we’re all made of tougher stuff than we think. With Jenny’s help I scattered what was left of Puppy in the rocky shallows of Sydney’s Manley Beach. Being non-biodegradable, perhaps Puppy’s remains are still floating there among the rocks.

In the winter of 2021, I got the two COVID-19 vaccinations, each time holding tight to the memory of Marika grabbing my hand whenever she got a blood draw or injection. Sometime after my second shot, I woke up early one morning having dreamed of her. But it wasn’t the dream that woke me. I heard her say, “Mom,” her voice, spoken distinctly, close to my ear as if she was standing right over me. Just the one word, “Mom.” It was almost physical, like I could feel the breath in it. In over ten years I had not heard her voice so loud or clearly. And Marika’s voice didn’t fade like most dreams fade. It kept me smiling for weeks. I can feel it still.

I don’t know what’s next for me. It’s been cozy and safe, staying close to home. But almost daily, something of Marika drags me out into the world. On the news now they’re saying vaccinated persons no longer need to wear masks. I’m still wearing mine around my neck and keep an extra in my purse, but the Marika in me is already tearing it off and applying Very Berry Lip Gloss. She tells me, “Mom, I want to eat INSIDE a restaurant,” and has me checking out menus online. With her encouragement, every day I inch out a bit further from the house in one direction or the other. No longer rolling her eyes at me, in gentle prodding she says, “Mom, get a life. It’s time.”

 

 

 

 

REPLY TO ROBIN

Duetting: Memoir 66

Duetting: Memoir 66 Robin Botie of Ithaca, New York photoshops images of the ones she loves in order to snuggly wrap up and put away into neat and safe nests.

Some things cannot be wrapped up, tied up and put neatly away. Like people. Like the love you have for them. There is no closure when it comes to the ones you have loved. We all talk about moving on but it doesn’t mean we have to purge ourselves of the memories and beautiful parts of our past lives.

I will go out into the world again, and see what I find, and find how I fit. This is what I tell myself in the spring of 2013, two years after my daughter’s death. I did not get to launch Marika. Instead, in 2013, she is launching me.

Typically, a child is sent forth fortified by the lessons and leanings of the parent. But now it’s me venturing out into the world, and I’m taking what I’ve learned from my daughter. Each new day, I drift farther from the course we shared, yet I carry her with me. Her spirit. Her smile. Her words. Her way of riding the wave of a birthday or victory or something she deemed exceptional, by celebrating the heck out of it. Her gravitation toward the light of others, toward gatherings. The ease with which she could snap out of a funk or get a friend to. Her stubbornness and resolve. These things grow in me now. And they are setting me in motion.

Except for the grief. It’s always there and it has a stifling effect on any movement forward. Grief is just all this love I still have, cooped up inside me, which I don’t know what to do with. It drains me. And it feels like I won’t ever be able to love again. It’s like when a friend comes over unannounced at dinnertime on a day when you have only a few leftovers in the fridge. And you think your cupboards are empty, that you have nothing to share. But somehow what’s there ends up being enough to feed you both. I have to remind myself: I’m still enough. Even with a wounded heart. The friends who keep calling, even though I’m often horribly unapproachable, see something worthwhile in me.

My friends. They listen, worry, and sometimes still raise a brow when I mention Marika. They’ve come to understand that I need to hear and talk about her, that I can’t stand the thought of her being forgotten. When they phone me on Marika’s birthday or send me flowers on the anniversaries of her death, I gush with gratitude. For the closest ones I make a huge salad every weekend. My salads are pure celebrations of life. Of the sweet and savory, the bitter and the bland. Into the greens I throw local ingredients and exotic delicacies, colorful vegetables, cheese, nuts, legumes, seafood, fruit or edible flowers. Each toss is a song of love for those who have hung in there, seeing me through hard times.

Almost every day, I hike with Suki and friends, all over Ithaca and beyond. In between, there are photo shoots, long sessions in Photoshop, and writing groups. I write daily and post a weekly blog. And fumble on social media sites, trying to expand and keep up with a growing group of followers. It’s exhilarating. It’s like flying. Tweeting and Friend-ing people; Marika would have loved this. It’s my life now. And she is my lodestar.

Once a month I take Rachel, I mean Ray, going on 526 days of sobriety in the spring of 2013, out to dinner. With his new wife. They chatter about their puppy, new jobs, and the upcoming move to their first shared apartment. Every so often Ray relinquishes a scarf or shirt that once belonged to Marika, and it’s like getting a precious gift from a past lifetime.

Laurie, as always, is only a phone call away. Late nights, we talk about going to Australia. Her knee has healed but I’m not sure about her heart. She collected the photographs from Marika’s Facebook page before it disappeared, and put them on a thumb drive for me, not knowing how for years I’d pick photos from it to virtually visit with Marika in Photoshop. Laurie treats every one of her patients like they’re her beloved niece.

“Mom, I leave for Afghanistan in two weeks,” Greg announces in April 2013, having accepted a position with a private security contractor. In my head a huge wave swells and I have to catch my breath to jump over it. For a long time I knew this was coming. My days disintegrate anyway. It snows at the end of April. The driveway floods. Another friend is diagnosed with cancer. But on Facebook new friends cheer me on. In Photoshop I dress Suki in armor, and superimpose several selfie-shots into one picture so it looks like I’m hugging myself. Maybe I like to ‘shop because it lets me control my universe. In Photoshop I’m not at the mercy of cancer or the changing tides. I can shift-click, drag-and-drop a girl running with her rabbit into the flaming sun. Stars shine and flowers bloom in my living room. I can move the moon. I can pretend I’m snuggly wrapping up the ones I love in intricately crafted nests. I ‘shop my son safe in his red Hummer in the driveway at home, far from the dangerous places on earth he’s drawn to.

“I love you, and I’ve loved having you here,” I tell Greg after his announcement about Afghanistan. “How can I help?”
“Uh, can you iron this shirt for me?” he shrugs.

 

 

REPLY TO ROBIN

Duetting: Memoir 62

Duetting: Memoir 62 Robin Botie of Ithaca, New York photoshops a scene of a wild dance around a campfire as she considers the meaning of 'always'

In late September 2012, at a campfire with musicians, a friend’s daughter tends the fire. Bent low to the ground, she blows at the coals until waves of flame dance up and embers riddle the air in fireworks of crackling jewels. Her every movement matches the music, and I sit in a lawn-chair, watching, mesmerized. When the fire is really roaring and the fiddles whinny at a feverish pitch, the young woman steps up barefoot on the rocks that circle the campfire. She tiptoes around the fire gracefully from rock to rock as the firelight plays on her face.
“Marika, you’re too close to the fire.” That’s what’s about to burst from my mouth as I watch this girl-woman. I catch myself just before toppling off the edge of my seat.

No one is like Marika. My friends’ daughters don’t really remind me of her. But late the next day, as I stroll over crack-dry leaves in the driveway, there’s the sound of an approaching car crunching gravel, and I feel a hopping in my heart. For seconds, I hear the old dented Toyota pulling up, music blasting, leaves flying behind it. Marika would show up suddenly like this. Just before dinnertime. She’d tumble out of the car carrying a full laundry bag, with Suki pulling at her leash. A cool smoke-tinged breeze brushes by. My deepest sadness is triggered by these sounds and smells. Marika had come to me like this last autumn too. And it had taken a whole winter to creep up out of the dark depths of despair.

“You don’t magically recover in a year’s time,” says Meg, my CompassionNet social worker who still keeps tabs on me, a year and a half after Marika’s death.
“But I’m tired of these triggers wrenching my emotions, at being accident-prone and making poor choices. Forgetting. Falling. Losing things. Breaking things,” I tell her. “Missing appointments was something someone else always did. I can’t even dress myself right. I used to be a teacher. I was a lifeguard. I took care of other people’s children. Except for childbirth, I was never in a hospital for my own care until this past year. Now I’ve broken a wrist, my nose, and two toes. My eyes are cried permanently bloodshot. I had vertigo last week. And Lyme disease. My sister wants me tested for some kind of neurological impairment. Is this how it’s always going to be from now on?”

“Take care of yourself,” Meg says, her brows twisting in opposite directions off her face. And I think, Yeah, I’m my own lifeguard now.

Sometime after, Rachel phones, “You hafta meet my new girlfriend.”
“Girlfriend?” I’m caught off guard. Why would she want me to meet her new friend? This must be a really special new friend, I think. And then I finally meet up with them, Rachel and her Girlfriend. Not a boyfriend this time. I mull it over and over, trying to get comfortable with an ever-changing Rachel.

These days I’m desperate to have something stay the same. My whole life has changed. It seems like to live is to change, and I’ve been fighting it. And I thought that Marika, being dead, would not change. I’m finally getting to know who she really was, but even dead—and after a year and a half I can finally say ‘she is dead’—she is changing too. Or, maybe it’s our relationship that’s changed. Marika—her ghost—is no longer fighting me. I noticed that. Somehow, now, she’s cheering me on.

“Always, Marika,” she used to sign her letters, notes to friends, emails, … everything. Was that a plea to remember her or her pledge to always be there? Was it a wink at immortality? Or was it simply a pretty word that could sit next to one’s signature instead of ‘sincerely’ or ‘yours truly,’ without too much thought behind it?

Who dares to say “Always” in a world plagued by climate change and ozone layer depletion? How could she sign something “Always” with deadly global viruses, nuclear weapons proliferation, water pollution, terrorism, financial meltdowns, and ecological destruction all over the planet? With freak accidents, madmen with guns, asteroid impacts? With cancer. A million things can go wrong. It takes just one to end your “Always.” Always is every time, at all times and for all time. Forever. Continually, repeatedly, in any case and without end. Always is the sun rising and setting, hopefully. Time. Space. Rocks, maybe. Even earth may not be around for always.

I will not be around for always.

Shortly after Marika died I found a small gold ring in her room. In many cultures a ring, an unbroken circle, symbolizes infinity and undying love. However, this ring is one of those adjustable bands where the ends don’t meet. As soon as I put it on, I knew it would snag on something someday and fall off. Sooner or later I will lose it. But I’ll wear Marika’s ring as long as I have it; when it’s gone I won’t regret not tucking it away in a box or someplace safe. Can I treat people this way? Like they are not forever? Can I treat my own life this way, like it’s not for always? Marika lived like she had only an hour left. How differently might we all live if we had expiration dates stamped on us like cartons of milk?

REPLY TO ROBIN

Duetting: Memoir 61

Duetting: Memoir 61 Robin Botie of Ithaca, New York photoshops watching the moon after her healing journey to Australia when her daughter dies.

Barely twelve hours after landing in Ithaca, on my return from Australia, I fall head first and hard into my front door. And break my nose. Slowly, I lift myself up from the load I’d tried to carry into the house. Two huge garbage bags of cat-poop and soiled litter my cat-sitting friends had collected and sent back with the cat. The cat is still in the car, crying in his carrier. But I’m holding onto my head, barely able to breathe. A million things could have gone wrong in Australia, but they didn’t, and here I am, back on my own doorstep, losing my balance, falling apart.       

My nose rains blood. Stars flash before my eyes. My fingers fumble blindly over the newly reactivated cell phone in an effort to reach someone for help. In the emergency room, I hold my face for hours as my memories of Australia evaporate. I beg the doctor for a new nose, a nose job. Impossible, he says, but he can fix the break. I wake up after the surgery wishing I could sleep through the healing. But even sleeping is difficult, done sitting up in a zero-gravity lawn chair parked next to the bed where cat and dog keep vigil over me and the tray of tissues, pills, and tippy-cup with water.

Over the next weeks my face turns the color of stormy oceans, then of green-gray grass, and finally a yellowish shade like wheat ready for harvest. I write feverishly as I nurse my nose. I watch the crazy geese on the pond. They hoot and honk. They do their nesting and protective dances all over again. From the south windows I follow the geese and the slow changing of the moon.

“Hey, Marika in-the-moon,” I call to her when it’s a full moon. When it’s a fingernail moon. On moonless nights when I walk her dog. “Do you see the moon, Suki?” I talk to the dog. I talk to Marika. I talk and sing to Marika’s moonbeam smile in her life-size photograph that hangs prominently in the middle of the house. It all helps.

Late spring nights I try to sleep, breathing through my mouth, as around the pond the songs of a thousand frogs echo in high peeps and low gunk-gunks. Frogs gulp and grunt. They scream into the dark night. Windows open or closed, it doesn’t matter though. Mostly I hear only the muddled noise of my mind trying to make sense of life’s events. I wait in the tumult of the night until the din dies down, or doesn’t.

The days are filled with friends who check on me, prying me from my writing. They listen. It helps to have friends, especially those who also have lost loved ones.

My friend Andrea dies. My children’s mentor. The one who believed in me. Cancer.

I lie on my back on the living room floor. Suki, my inherited dog, stands over me, engrossed by this new perspective. She pokes her inquisitive little nose into my still-sore face, and I can’t help but smile. Then she drops a squeak-toy on my chest and I explode into laughter. The sound of my own high-pitched squeals fascinates me. But it soon dissolves into a howling cry as I sink back into sorrow. Marika. Now Andrea. Has cancer always destroyed so many lives and I just never noticed? Suki stares at me, terrified. When I quiet down she licks the tears around my healing nose.

By the end of June my blog site is up. If I want to be a writer, I’m told, I need to have a website and write a weekly blog. And find followers on Facebook and Twitter. Oh, if Marika could see this. More and more, it seems, I’m living my daughter’s life. Only I’m shy and clueless as to social media. Communicating with strangers makes my neck muscles tense up and renders me almost wordless. But it is the only commitment I have, so I treat it like it’s my job; every Monday morning, no matter where I am or how I am, I publish an article. I reach out to family and friends, to Marika’s friends, and to people I have not yet met. I’m never sure of what to say. So I write the stories of my stumbling into deep holes of grief, and my attempts to crawl back out. In the hope it will help someone. We’ve all lost someone or something we loved. There’s life after loss. That’s all I’m trying to say. Or, it’s what I’m trying to believe.

Way before our colliding with cancer I had developed an aversion to producing visual art. So I’m not sure what on earth led me to enroll in a Digital Photography course at Tompkins Cortland Community College in the fall after the Australia trip. I know nothing about photography. I’d borrowed a small point-and-shoot for Australia and could barely manage that. Computers and technology in general confound me. And here I am in a class with tech-savvy college students and a handful of retired folks with huge expensive cameras hanging around their necks like gigantic gaudy jewelry. The only thing I have going for me is my sense of design. And maybe my newly developed adventurous spirit born from the discovery that I need to actually do something in order to have something to write about in my blogs. But there’s this keen desire to breathe visible life into my memories of Marika. Like one huffs and puffs at the last embers of a dying campfire.

So I rent a digital camera from the school and photograph whatever sits still long enough for me to consider f-stops, shutter speeds, and ISO settings. Right off, I learn to photo-shop pale images of Marika’s face onto all my landscapes. Soon I’m ‘shopping away, trying to make impossible scenes appear somewhat real. I ‘shop Suki a dozen times all over the living room, in one picture. I enlarge Marika’s face until I can gaze into her life-sized eyes. Working in Photoshop is the closest I’ve come to finding peace. Or God, maybe. Time and troubles disappear when I ‘shop. The making of each picture is a prayer of gratitude. It’s comforting to me, if not actually useful. It’s challenging. I stagger out of class each week dizzy with new ideas. And in my weekly blogs I add photos to complement what I write. 

It doesn’t take long to notice that my approaches to writing and photography differ. I work hard to find the exact words to describe reality. How something feels, smells, sounds, and tastes. I could never write fiction. But when I photo-shop, I can tell a more colorful story. So I tell the truth in words, but shamelessly stretch it in my photos. And I call the whole thing ‘healing.’

 

 

REPLY TO ROBIN

Duetting: Memoir 57

Duetting: Memoir 57 Robin Botie of Ithaca, New York tells her dying daughter her birth story

Mareek, I want to tell you the story of your birth, I rambled on in my head as I rubbed my dying daughter’s feet. I could not remember if I’d ever told Marika that story. This was on the third day of March 2011, shortly after I’d signed the papers to end her life. Consumed by the unfairness and all she would be losing out on, I was feeling like the worst kind of thief. I could not yet imagine my own loss, how that would feel. I’d failed her. I couldn’t tell my mother or even Laurie. There was only one day left to get close enough to death to accept it, to learn to love it. So, standing at the foot of her bed, I brought up the memory of when she was born, and then I tried to convince myself of everything I’d ever heard about death: Death means freedom from pain. Death is a transition, not an end. Our dying begins the moment we take our first breath so death is simply the last part of life.

Many rave about watching a birth, welcoming oncoming life that blooms from womb to world. And your birth, Mareek, was one of my most magnificent moments. But really, witnessing the exiting of life, even when walloped by sorrow, is awe-inspiring. Life, when it enters the world can be traced back to the source of the seed. But its departing is shrouded in mystery. A year and a half earlier, I had tried to watch as life evaporated from the still form of my father into nowhere. I stared, transfixed on an invisible drama, detecting only the signs of a soul having already taken flight: his just-stopped pulse and empty lifeless eyes. My father’s eyes were half open, dark black marbles that caught glints of light, even at the end. I wondered, for how long could he still see me as his mouth opened and closed, opened and closed so slightly like a dazed fish out of water gently gasping for breath? He seemed unaware he was not catching any air towards the end. He lay there calm and still while his family shook in sobs. I watched, but could not tell if the life ebbed out of him slowly or if it left as in the flick of a switch.

Where life goes in the time it takes for a heart to stop beating is an astounding mystery. Is the life locked dormant inside or does it dissipate into the negative space between those grieving? Does it escape into countless particles of dust? Are there a gazillion invisible, homeless souls freed from their earthly shells, crammed around us, hovering over the ones they loved and left behind, hoping to be reborn?

Mareek, I’d named you Marika Joy before you were even conceived. Yes, I knew you were out there waiting for me somewhere. Like the crocuses that herald in the spring. I always knew I would have a daughter one day. And I’d love the warmth of your dark-haired head on my cheek. ‘Marika’ was the most beautiful, magical name I’d ever heard. You were named after a flower, a Twelve Apostles Neo-Marica. A walking iris. And Joy, for your paternal grandmother, a precious life snuffed out too soon by cancer. A spark of her would live on, be reborn with you. Yeah. Too bad we couldn’t have erased the cancer genes from those sparks of Grandma Joy’s.

You were late, Mareek. You were supposed to arrive in April, the month of your father’s and my birthdays. You were taking your time but Doctor Kyong wanted to go on his vacation. So he had me choose a day in May from three convenient dates. I was embarrassed by this as all my pregnant friends were having natural childbirth with no interventions, no drugs. Back then childbearing was like being in some sort of Amazon birthing marathon, but being ten years older than everyone else, I had to comply with a different set of rules, or lose my adored doctor.

I chose May third. Three letters each in May and Joy. And so, early in the morning on May 3, 1990, your father and I arrived at the hospital after leaving friends in charge of your brother, our businesses, and the pets. The nurses gave me some drug, oxytocin, to induce my labor. And then an enema. But there was no progress in my dilating. We waited. And walked and waited. Wearing the special kimono-style birthing robe I’d sewn from fabric with joyful bursts of blossoms, we walked the halls of the hospital and waited all day. You were already finding ways to defy demands and doctors. There was little that was natural or unplanned except you simply were not ready, were not complying with anyone else’s agenda but your own.

I don’t remember pushing, Mareek. I don’t remember pain. I remember waiting, maybe a little impatiently, to see your face and be on our way to our great adventure together. My water was broken for me in the afternoon and then there were fierce contractions. I growled like a wild animal and hugged your father hard. They injected me with three paracervical blocks for pain relief, and finally, just at dinnertime, supported by your father, I squatted, extending one leg out like a Russian dancer. After some grunting I was cut open to make it easier for you. Then I ripped open even more. Suddenly there was a great avalanche inside me. And you tumbled out, surprised, kicking and demanding, What’s for dinner, Mom? You chomped down eagerly, nursing right away as they stitched me back up. You were purple and bruised. You were perfect. I loved you immediately. My Marika Joy. A true Taurus, my friends said. Everyone expected you to be solid and steady and strong. And stubborn. And you were.

 

 

REPLY TO ROBIN

Duetting: Memoir 54

Duetting: Memoir 54 Robin Botie of Ithaca, New York, photoshops her shadow on a beach in illustrating her grief journey to Australia to scatter her daughter's ashes.

My mission on the southeastern coast of Australia is almost over on the day I decide to try a shortcut on the way back from my morning explorations. It’s a cliff path called the Discovery Walk. I take it. But whatever one is supposed to discover on this path is lost to me as I just want to get back to my room, and the bathroom in particular, as soon as possible. Following the path, I heavily descend the stairway to the beach, and find the incoming tide has swallowed up the bottom steps of the cliff. A shallow pond now blocks my way across the beach to the motel. Too tired to hike back up the cliff and around through town, and too scared to wade through the small but growing swells of waves entering the pond, I stand immobilized. The bag of ashes in my backpack jabs, “Mom! Don’t be a wimp!” And then more gently, “You can do this.”

So I watch to time the waves, take a deep breath, and dash through the shallowest part. Right away a wave rolls in. It’s not a huge wave but my heart’s pounding wildly anyway. And my feet can’t find the damp sand ahead fast enough for my hundred-twenty pounds to catch up to them. I flounder. And fall. And the wave recedes, leaving me scrambling to rise from the shallows. Then, for seconds, before all the surfers and swimmers, sunbathers, and stray dogs on the beach, just at the intersection of my day’s path with theirs, I stand, shuddering. Sobbing. No, maybe I’m giggling. Uncontrollably on this beach. They must think I’m a madwoman. I try to stifle this torrent of emotion but it grows. And I don’t know if I’m laughing or crying but suddenly my bladder goes. Then I’m really wet. Yet somehow I know—I’m okay. It’s all going to be okay.

Because tomorrow’s coming. And who knows what will be blown in with tomorrow. There’s the trip to Melbourne, the Queen Victoria Market, the HuTong dumpling place, and the adventure of locating the nursing school Marika was to attend. And so much more to explore.

On my last night in Port Campbell. I return to the Loc Ard Motor Inn and unwrap a small take-away by the altar. A Lamington, Marika’s food item #5 that she never got to try. Covered with dark chocolate, dusted with coconut, the cube of cake sits perfectly in the palm of my hand. I sink my teeth into it and find it is spongy. Yellow. Sweet and soft with a touch of crunch. Lamingtons are integral to Australian childhood, typically available at school bake sales, I’d learned. Like brownies and chocolate chip cookies back home.

“You’d have baked these for your dad and your friends. You were like that. Only not with me,” I tell Marika’s ashes, recalling the blue-iced birthday cakes and sweet smiles she reserved for others. I never cared about the red velvet cakes. The time she spent hours making chocolate turtles and didn’t leave me a single one, I almost crumpled. And I might have buckled under completely because not a single one of her poems was written to me. Mostly what Marika left me was a bunch of mysteries. Like who is “deejaylungbutter” who she acknowledged in one of her songs? And who was the Australian she was flying to in the poem she wrote long before she ever met the Australian boyfriend? And what is the story about all the endless unruly brown spaghetti rendered from old VHS cassettes that lined the bottoms of her dresser drawers? There is so much more to be discovered. Or to remain unknown. All I know for sure is, I have Marika’s words. Her words have gutted caves and gorges in my mind. She didn’t have to bake or be nice to me. Marika always knew I loved her. And I know she loved me, as brash as she often was. In the hospital, fighting sedation near the end, she’d reached out to hug me. That’s what I need to remember.

 

REPLY TO ROBIN